From the University to the Pluriversity? A Reflexive Critical Literature Review of Indigenous Artisan Community Engagement in Decolonial Education and Knowledge Co-Production with Design Programs in Latin America

Main Article Content

Sebastián Maya Tapiero
Diana Albarrán González
Angus Donald Campbell

Abstract

Decolonization initiatives in design have sparked growing interest among academics worldwide. While these initiatives foster collaborative design with diverse communities in Latin America, their theories and practices often diverge significantly. How to critically integrate these decolonial models into learning processes and knowledge creation with other communities within the university? To address these questions, we undertake a reflexive critical literature review from an artisanal perspective, moving away from objective systems and standardized measurements of knowledge, integrating our experiences, and highlighting our concerns as educators and students from the Global South. This review highlights two key themes in decolonial studies literature: understanding power relations and the roles in knowledge production, and identifying prevailing ideas and practices in knowledge creation with other entities. Using this information, we establish a three-way conversation to examine the limits of neoliberal modern-colonial education within reflexive critical practice, drawing on our own experiences and positionalities.

Downloads

Download data is not yet available.

Article Details

How to Cite
Maya Tapiero, S., Albarrán González, D., & Campbell, A. D. (2024). From the University to the Pluriversity? A Reflexive Critical Literature Review of Indigenous Artisan Community Engagement in Decolonial Education and Knowledge Co-Production with Design Programs in Latin America. Diseña, (25), Article.1. https://doi.org/10.7764/disena.25.Article.1 (Original work published October 1, 2024)
Section
Original Articles (part 1)
Author Biographies

Sebastián Maya Tapiero, Waipapa Taumata Rau | University of Auckland

PhD candidate, Waipapa Taumata Rau | University of Auckland. Assistant Researcher and Lecturer at the University of Auckland. He holds a Master’s in Science and Arts from Universidad Autónoma Metropolitana – Xochimilco and a Bachelor’s in Industrial Design from Universidad Nacional de Colombia - Palmira. His scholarly is centered on the generation of technological knowledge within the specific socio-cultural context of Latin America, examining the interplay between design practice, educational frameworks, and marginalized production practices. He is the author of ‘A Reflexive Educational Model for Design Practice with Rural Communities: The Case of Bamboo Product Makers in Cuetzalan, México’ (LINK 2021).

Diana Albarrán González, Waipapa Taumata Rau | University of Auckland

Design researcher, craftivist, and Programme Director of the PhD in Design in the Faculty of Creative Arts and Industries at Waipapa Taumata Rau | University of Auckland. She holds a PhD in Māori and Indigenous Development from Auckland University of Technology, a Master’s degree in Design Management from Universitat Politècnica de València, and a Bachelor’s degree in Industrial Design from Universidad Autónoma de Guadalajara. Her research explores design and different ways of collaboration from decolonial, intersectional, and pluriversal perspectives, examining collective well-being, Indigenous knowledge, craft-design-art, textiles, embodiment, and creativity. Some of her latest publications include ‘Towards Co-creating the Praxis of Teaching Design from Decolonial, Intersectional and Pluriversal Approaches’ (co-authored with L. Rezende, N. St John, and F. Suhendra; Art, Design & Communication in Higher Education, Vol. 23, Issue 2); ‘Embroidery to Repair Life: Body-Territory Mapping and Collective Embroidery’ (with Colectiva Malacate, Diseña, Issue 24); and ‘Woven Decolonising Approaches to Design Research: Jolobil and Mahi Toi’ (with J.K.T. Wilson; In The Routledge Companion to Design Research, 2nd ed., Routledge, 2023).

Angus Donald Campbell, Waipapa Taumata Rau | University of Auckland

Head of the Design Programme in the Faculty of Creative Arts and Industries at Waipapa Taumata Rau | University of Auckland. He holds a Doctorate of Literature and Philosophy in Development Studies from the University of Johannesburg and a Master of Technology in Industrial Design from the Technikon Witwatersrand. His university lecturing, practice-based research, and freelance design experience are focused on critically exploring the power of design to creatively, collaboratively, and sustainably innovate at the complex nexus of social, technological, and ecological systems, addressing pluriversal design, development, the Global South, inequality, Indigenous knowledge systems, and decolonization. Some of his latest publications include ‘Advancing Afrikan Sustainable Design’ (co-authored with Y. Rapitsenyane; in African Industrial Design Practice, Routledge, 2023); ‘Haptic HONGI: Reflections on Collaboration in the Transdisciplinary Creation of an AR Artwork’ (with M. Gunn, M. Billinghurst, W. Lawn, P. Sasikumar, and S. Muthukumarana; in Creating Digitally: Shifting Boundaries: Arts and Technologies—Contemporary Applications and Concepts, Springer, 2023); and ‘South-South Dialogues around Buen Vivir-Centric Design’ (with D. Albarrán González, Diseña, Issue 21).

References

Abdulla, D., & Oliveira, P. J. S. V. de. (2023). The Case for Minor Gestures. Diseña, (22), Article 6. https://doi.org/10.7764/disena.22.Article.6

Albarrán González, D. (2020). Towards a Buen Vivir-Centric Design: Decolonising Artisanal Design With Mayan Weavers From the Highlands of Chiapas, Mexico [Doctoral Dissertation, Auckland University of Technology]. https://openrepository.aut.ac.nz/handle/10292/13492

Albarrán González, D. (2022). Corazonar: Weaving Values into the Heart of Design Research. Participatory Design Conference 2022, 2. https://doi.org/10.1145/3537797.3537805

Albarrán González, D. (2023). Dentro de los textiles mayas: Lekil kuxlejal y el mandar obedeciendo como propuestas para descolonizar la investigación del diseño artesanal textil. Kepes, 20(27), Article 27. https://doi.org/10.17151/kepes.2023.20.27.10

Angelon, R., & van Amstel, F. M. C. (2021). Monster Aesthetics as an Expression of Decolonizing the Design Body. Art, Design & Communication in Higher Education, 20(1), 83–102. https://doi.org/10.1386/adch_00031_1

Ansari, A., & Kiem, M. (2021). What is Needed for Change? Two Perspectives on Decolonization and the Academy. In C. Mareis & N. Paim (Eds.), Design Struggles: Intersecting Histories, Pedagogies, and Perspectives (pp. 155–167). Valiz.

Ávila, M. (2017). Ecologizing, Decolonizing: An Artefactual Perspective. Nordes 2017 Research Papers. https://doi.org/10.21606/nordes.2017.009

Bastidas Pérez, A. (2023). Los talleres artesanales y sus prácticas: Una agenda de investigación para las transiciones. Kepes, 20(27), Article 27. https://doi.org/10.17151/kepes.2023.20.27.8

Botero, A., Gaudio, C. D., & Borrero, A. G. (2018). Editorial: Designing, Sensing, Thinking through Autonomía(s). Strategic Design Research Journal, 11(2), Article 2.

Campbell, A. D., & Rapitsenyane, Y. (2023). Advancing Afrikan Sustainable Design. In R. Moalosi & Y. Rapitsenyane (Eds.), African Industrial Design Practice (pp. 26–45). Routledge. http://dx.doi.org/10.4324/9781003270249-4

Campos García, T. (2021). Sustainable Design Education in Mexico: Towards a Non-colonial Post Anthropocentric Design. Pivot 2021 Research Papers. https://doi.org/10.21606/pluriversal.2021.0046

Clark, B., & Torretta, N. B. (2022). Improvisational Design Dialogue: Exploring Relational Design Encounters as Means to Dismantle Oppression in Design. DRS2022 Research Papers. https://doi.org/10.21606/drs.2022.386

Cohen, D., & Crabtree, B. (2006). Qualitative Research Guidelines Project. Robert Wood Johnson Foundation, Princeton. http://www.qualres.org/

Cordeiro Marques Correa, P., & Carvalho Cardoso, A. L. (2022). The Production of Life in Latin America and the Caribbean and its Relation to Design and Other Related Fields: About Delinking, Disobeying, and Decolonizing. Diseña, (21), Article 3. https://doi.org/10.7764/disena.21.Article.3

Daza-Cardona, J. A., Vargas-Ramírez, J., & Guapacha-Sánchez, M. A. (2021). Doing Odontograms and Dentists in the Classroom. Materiality and Affect in Dental Education. Tapuya: Latin American Science, Technology and Society, 4(1), 1968635. https://doi.org/10.1080/25729861.2021.1968635

de la Cadena, M., & Escobar, A. (2023). Notes on Excess: Towards Pluriversal Design. In M. Tironi, M. Chilet, & P. Hermansen (Eds.), Design For More-Than-Human Futures (pp. 29–50). Routledge.

de Sousa Santos, B. (2021). Descolonizar la universidad: El desafío de la justicia cognitiva global (M. P. Vasile, Trans.). CLACSO. https://doi.org/10.2307/j.ctv2v88cjw

Dormer, P. (1990). The Meanings of Modern Design: Towards the Twenty-first Century. Thames and Hudson.

Escobar, A. (2007). La invención del Tercer Mundo: Construcción y deconstrucción del desarrollo. Fundación editorial el perro y la rana.

Escobar, A. (2014). Sentipensar con la tierra: Nuevas lecturas sobre desarrollo, territorio y diferencia. Ediciones Unaula.

Escobar, A. (2019). Autonomía y diseño: La realización de lo comunal (C. Gnecco, Trans.). Universidad del Cauca.

Fals Borda, O. (1984). Resistencia en el San Jorge. Carlos Valencia.

Frías, V., Jaramillo, C. L., & Palacios, V. (2023). ¡No más! A Call for Designers to Stop Recolonizing Artisan Communities in Emerging Economies. Dialectic, 5(1), Article 1. https://doi.org/10.3998/dialectic.2692

Garduño García, C. (2015). Good Design as Design for Good: Exploring How Design Can Be Ethically and Environmentally Sustainable by Co-designing an Eco-hostel Within a Mayan Community. Journal of Global Ethics, 11(1), 110–125. https://doi.org/10.1080/17449626.2015.1012685

Gutiérrez Borrero, A. (2022). DISSOCONS Diseños del sur, de los sures, otros, con otros nombres [Doctoral Dissertation, Universidad de Caldas]. https://repositorio.ucaldas.edu.co/handle/ucaldas/17409

Harding, S. (2013). Rethinking Standpoint Epistemology: What Is “Strong Objectivity”? In L. Alcoff & E. Potter (Eds.), Feminist Epistemologies (pp. 49-82). Routledge.

Hernández, G. (2021). Visual Exploration of Identity as a Critical Tool to Disrupt Traditional Canons in Design Pedagogy. Pivot 2021 Research Papers. https://doi.org/10.21606/pluriversal.2021.0013

ITCILO, & ETF. (2022). Slow Learning: A Path to Meaningful and Mindful Future Learning. Moglia.

Kiem, M. N. (2017). The Coloniality of Design [Doctoral Dissertation, Western Sydney University]. http://hdl.handle.net/1959.7/uws:47387

Leitão, R. M. (2020). Pluriversal Design and Desire-Based Design: Desire as the Impulse for Human Flourishing. In R. M. Leitão, L.-A. Noel, & L. Murphy (Eds.), Pivot 2020 Full Research Papers. https://doi.org/10.21606/pluriversal.2020.011

Light, A., Choi, J. H., Houston, L., & Botero, A. (2024). Enacting Entanglement: CreaTures, Socio-Technical Collaboration and Designing a Transformative Ethos. Computer Supported Cooperative Work (CSCW). https://doi.org/10.1007/s10606-024-09497-8

Lugones, M. (2021). Colonialidad y género: Hacia un feminismo decolonial. In W. Mignolo (Ed.), Género y descolonialidad (pp. 19-61). Ediciones del Signo.

Magos-Carrillo, M. E., & Loredo-Cansino, R. (2022). Diseño Decolonial. Desafíos metodológicos de los talleres de proyectos. Cuadernos del Centro de Estudios de Diseño y Comunicación, 175. https://doi.org/10.18682/cdc.vi175.8607

Martínez Osorio, P. A., & Castellanos Tuirán, A. I. (2023). Diseño y tecnologías descolonizadoras para el sur global. Kepes, 20(27). https://doi.org/10.17151/kepes.2023.20.27.6

Martínez Osorio, P. A., Paschoarelli, L. C., & Da-Cruz-Landim, P. (2020). Diseño y artesanado: Una mirada contemporánea. Revista de Arquitectura, 22(1), 130-137.

Mazzarotto, M., & Serpa, B. (2022). (Anti)dialogical Reflection Cards: Politicizing Design Education through Paulo Freire’s Critical Pedagogy. DRS2022 Research Papers. https://dl.designresearchsociety.org/drs-conference-papers/drs2022/researchpapers/267

Mbembe, A. (2023). Descolonizar la universidad (L. Sánchez Marín, Trans.). Ennegativo Ediciones.

Mignolo, W. (2007). Introduction: Coloniality of Power and De-colonial Thinking. Cultural Studies, 21(2–3), 155–167. https://doi.org/10.1080/09502380601162498

Montes Cruz, J. J. (2020). Traducir lo material: El codiseño entre diseñadores industriales y tejedoras-diseñadoras wayúu [Master’s Thesis, Univesidad Nacional de Colombia]. https://repositorio.unal.edu.co/handle/unal/78881

Montes Cruz, J. J. (2023). Shaping the Future: The Relevance of STS when Teaching Design History. Learn X Design 2023 Full Papers. https://doi.org/10.21606/drslxd.2024.102

Montes Cruz, J. J., Piracoca-Chaves, D., Pérez Rodríguez, G. A., & Pardo Gibson, J. (2023). Diseño de lo incomún: Límites epistemológicos del codiseño entre diseñadores industriales y artesanos. Kepes, 20(27), 231–259. https://doi.org/10.17151/kepes.2023.20.27.9

Noel, L.-A., Ruiz, A., van Amstel, F. M. C., Udoewa, V., Verma, N., Botchway, N. K., Lodaya, A., & Agrawal, S. (2023). Pluriversal Futures for Design Education. She Ji: The Journal of Design, Economics, and Innovation, 9(2), 179–196. https://doi.org/10.1016/j.sheji.2023.04.002

Okabayashi, J. C. T., & Loschiavo dos Santos, M. C. (2022). A History of Design Education in Brazil: A Decolonial Perspective. In S. Miettinen, E. Mikkonen, M. C. Loschiavo dos Santos, & M. Sarantou (Eds.), Artistic Cartography and Design Explorations Towards the Pluriverse (pp. 189–194). Routledge.

Olmos-Vega, F. M., Stalmeijer, R. E., Varpio, L., & Kahlke, R. (2023). A Practical Guide to Reflexivity in Qualitative Research: AMEE Guide No. 149. Medical Teacher, 45(3), 241–251. https://doi.org/10.1080/0142159X.2022.2057287

Ortega Pallanez, M. (2023). Becoming Resonant in Design: An Inquiry into Public Space Exclusion in Hermosillo, Mexico through Women-plant Relations [Doctoral Dissertation, Carnegie Mellon University]. https://doi.org/10.1184/R1/23422235.v1

Öz, G., & Timur, Ş. (2023). Issues of Power and Representation in/of the Local Context: The Role of Self-reflexivity and Positionality in Design Research. The Design Journal, 26(2), 252–269. https://doi.org/10.1080/14606925.2022.2088097

Pérez-Bustos, T., Chocontá-Piraquive, A., & Suchman, L. (2022). Encuentros materiales entre etnografía y diseño: El caso de La Encomienda y sus historias de encuentro, cuidado y escucha. Revista 180, 49, 107–116. https://doi.org/10.32995/rev180.num-49.(2022).art-869

Pihkala, S., & Karasti, H. (2016). Reflexive Engagement: Enacting Reflexivity in Design and for “Participation in Plural.” Proceedings of the 14th Participatory Design Conference, 1, 21-30. https://doi.org/10.1145/2940299.2940302

Pinto, N., Julier, G., & Tapia, A. (2023). Pictograms for Resistance: Historicity and Militant Design Research in Amazonian Ecuador. Journal of Visual Culture, 22(2), 176-201. https://doi.org/10.1177/14704129231196442

Pinto, N., Vertiz, B., & Botero, A. (2022). Resistance, Social Reproduction and Emerging Commitments for Collaborative Design from the Margins. DRS2022 Research Papers. https://doi.org/10.21606/drs.2022.648

Pye, D. (1978). The Nature and Art of Workmanship. Cambium.

Quijano, A. (2000). Coloniality of Power, Eurocentrism, and Latin America. Nepantla: Views from South, 1(3), 533-580.

Reina-Rozo, J. D., Castro, A., Zambrano-Caviedes, F., & Epieyu, A. N. (2024). Technologies to Embrace the Sun: Solarpunk-based Project as an Exploration for a Just Energy Transition. Revista Iberoamericana de Estudios de Desarrollo, 13(1), 162-187. https://doi.org/10.26754/ojs_ried/ijds.871

Rivera Cusicanqui, S. (2012). Ch’ixinakax utxiwa: A Reflection on the Practices and Discourses of Decolonization. South Atlantic Quarterly, 111(1), 95-109. https://doi.org/10.1215/00382876-1472612

Saito, C., Serpa, B., Angelon, R., & van Amstel, F. M. C. (2022). Coming to Terms with Design Wickedness: Reflections from a Forum Theatre on Design Thinking. DRS2022 Research Papers. https://dl.designresearchsociety.org/drs-conference-papers/drs2022/researchpapers/238

Salgado, M., Califa, J., Botero, A., & Quesada-Avendaño, F. (2024, January 4). Decolonial Design Education & Research [Video recording]. Diseño y Diáspora, 480. https://www.youtube.com/watch?v=AGwcli8DHis

Sandoval Valle, M. A. (2022). Mirada social del diseño para una vida buena. Cuadernos del Centro de Estudios de Diseño y Comunicación, 172. https://doi.org/10.18682/cdc.vi172.7128

Schultz, T., Abdulla, D., Ansari, A., Canlı, E., Keshavarz, M., Kiem, M., Martins, L. P. de O., & J.S. Vieira de Oliveira, P. (2018). What Is at Stake with Decolonizing Design? A Roundtable. Design and Culture, 10(1), 81-101. https://doi.org/10.1080/17547075.2018.1434368

Serpa, B. (2023). Militant Design Research: A Proposal to Politicize Design Knowledge-making. Diseña, (22), Article 4. https://doi.org/10.7764/disena.22.Article.4

Tironi, M. (2023). Introduction: Notes for a Planetary Design. In M. Tironi, M. Chilet, & P. Hermansen (Eds.), Design For More-Than-Human Futures (pp. 1-27). Routledge.

Torretta, N. B. (2023). Take it Personally: What May it Take to Become Designers for Pluriversality? Kepes, 20(27), 19-46.

Trias Cornú, L. (2020). (De)Institution Design: Decolonizing Design Discourse in Uruguay. Pivot 2020 Full Research Papers. https://doi.org/10.21606/pluriversal.2020.022

Tunstall, E. (2023). Decolonizing Design: A Cultural Justice Guidebook. MIT Press.

Udoewa, V., Gutiérrez Borrero, A., Noel, L.-A., Ruiz, A., Borchway, N., Lodaya, A., & van Amstel, F. M. C. (2023). When Is the Pluriverse? Learn X Design Conference Series. https://doi.org/10.21606/drslxd.2024.109

Vargas Espitia, A., & Quintero Bayona, A. (2021). Diseño, producción y sustentabilidad. Aporte crítico/decolonial desde la academia. Actas de Diseño, (36), 61-63.

Wilkinson, S. (1988). The Role of Reflexivity in Feminist Psychology. Women’s Studies International Forum, 11(5), 493–502. https://doi.org/10.1016/0277-5395(88)90024-6

Wong-Villacres, M., Alvarado Garcia, A., Maestre, J. F., Reynolds-Cuéllar, P., Candello, H., Iriarte, M., & DiSalvo, C. (2020). Decolonizing Learning Spaces for Sociotechnical Research and Design. Companion Publication of the 2020 Conference on Computer Supported Cooperative Work and Social Computing, 519-526. https://doi.org/10.1145/3406865.3418592

Zembylas, M. (2024). “Neoliberal Subjects” and “Neoliberal Affects” in Academia: Methodological, Theoretical and Political Implications. Policy Futures in Education, 22(2), 172–186. https://doi.org/10.1177/14782103221135618